Here are my capsule reviews for the second week of the festival. None of these films have release dates outside of the festival, except for some of the web series. Again, my ratings are:
1=Awful. Major flaws in plot/characters/writing/filmmaking. No reason to see this film unless you have to, and then I still wouldn’t.
2=Okay to average. Some major/minor flaws in plot/characters/writing/filmmaking. Not good enough to recommend.
3=Above average to good. A few major/minor flaws in plot/characters/writing/filmmaking. Films in this category either garner a slight recommendation from me or almost do.
4=Very good to great. Might have a few minor flaws in it. All films in this category are recommended viewing.
5=Excellent to outstanding. Very few flaws, if any. The best of the best.
Being There: This satire from Hal Ashby follows Chance the Gardener (Peter Sellers, in a Golden Globe-winning performance), who finds himself homeless and unemployed when his employer dies. Having witnessed the world only through television and the garden he tended, his simplicity and rich clothes (formerly belonging to his master) are mistaken for profundity and untold wealth as he ends up becoming a guest at the house of an old rich man (Melvyn Douglas in an Oscar-winning role) and his wife Eve (Shirley MacLaine), and even influences the President (Jack Warden). And then there’s that final shot in the film. Helps that the audience was in tune with each joke. 5 Archival
Love Education: Huiying (Sylvia Chang) wants to bury her mother (Liyuan Wang) next to her father (Xiang Jia). Problem is, her father was originally married to someone from his home village (Yanshu Wu), and she won’t allow his “mistress” to be buried with him, or for his grave to be moved to the city. Huiying’s husband (Zhuangzhuang Tian) meanwhile, might be having a fling with one of his driving students. Her daughter Weiwei (Yueting Lang), in turn, starts having issues with her boyfriend Da (Ning Song) when his old flame comes to visit…and brings her son with her, who may or may not be his. Poignant, funny, and ironic, the real love here is how director/writer/actress Sylvia Chang handles the three generations of women, and the men in their lives (and the other women in theirs). 4
Mademoiselle Paradis: Based on the novel Mesmerized by Alissa Walser, this is the true story of Maria Theresia von Paradis (Maria Dragus), a blind prodigy at the piano who was temporarily cured of her blindness by Dr. Franz Mesmer (Devid Striesow). A great, non-sentimental view of how disabilities and women were treated in the 18th century. Gorgeous cinematography, costumes, and music. 4 (d: Barbara Albert)
Mutafukaz: Props for including a high-speed chase with an ice cream truck and a gang leader who quotes Shakespeare, but this fun and strange film about a boy named Angelino (Tay Lee) who starts seeing shadowy tentacle creatures attached to humans and must escape mysterious government agents becomes less and less fun as the movie continues. While visually stunning, it also feels incredibly static in its framing. 2 (d: Shoujirou Nishimi,Guillaume Renard)
Ryuichi Sakamoto: CODA: The man and his music are fascinating, the movie less so. The main issue here is that we follow Sakamoto through his daily routine, but the most interesting moments concern his career, or are in the studio, when his face lights up when he hears the perfect sound. Otherwise, it’d be better to do a traditional documentary on the man, or one with more of a focus (like on his activism, which begins the film). 3 (d: Stephen Nomura Schible) Plays on Friday, June 8
Tigers Are Not Afraid: This film, which follows kids orphaned by the drug war in Mexico, mixes reality and fantasy ala Pan’s Labyrinth in a creepy, violent, and ultimately wonderful film in which fairy tales literally help our heroine in a world where the reality is too gruesome to bear. Story, acting, cinematography, humor, and visual storytelling are all used to masterly effect. No wonder Guillermo del Toro places this film 8th in his top ten movies of 2017 and offered to produce director Issa López’s next film. 5
WebFest at Shoreline: To quote from siff.net: “SIFF launches its new Episodic Content category with this exciting, diverse collection of outstanding new pilots and webisodes.” Based on the quality of these episodes, it won’t be the last. In order, they were:
- Other People’s Children (Episode 1: The Common Corpse): From the USA. A six-minute parent/teacher conference between a teacher (Atra Asdou) and the mothers of a gifted daughter (Brooke Breit, Sara Sevigny) who first refuse to believe she’s that smart and then don’t want to put her in the “gifted” program because they’d have to help with more homework. 3 (d: Brad Riddell, Anna Hozian)
- Arun Considers (“Arun Considers Heroin”): From the USA. Arun (Arun Narayanan) thinks about how heroin might be worth trying in a short, two-minute episode. 3 (d: Dave Dorsey, Jordan Ledy)
- Apartment: From Argentina. In this episode, Ramon (Ezequiel Campa) has to deal with shitty customers at an insurance job and then finds out at the end of the episode that he’ll no longer be able to afford his apartment under his new lease. 3 (d: Jazmin Stuart)
- The Passage: From the USA. Phil (Philip Burgers) spends the episode escaping from two men. In 22 minutes, he interacts with people who speak Spanish, Japanese, French, and Norwegian(?). No subtitles, which I first thought was a mistake and then realized was a feature. Clever, funny, and absolutely bonkers. Particular props to the drumming gag, where he drums faster the closer the men get to him. 4 (d: Kitao Sakurai)
- The Big Nothing: From Australia. A sci-fi whodunit in which a detective is sent to investigate the mysterious death of a captain on a mining outpost in space. Shows promise. 3 (d: Lucy Campbell, Pete Ninos)
- Strowlers: Pilot (half): From the USA. According to the Q&A afterwards, Strowlers is an entire universe in which magic is regulated by the government. In the first episode, we see a kid who is believed to have magical abilities being collared. The magic user is kept until all emotions are ripped out of them, then are released. 3 (d: Ben Dobyns, L. Gabriel Gonda) Available in the fall.
- Otis (Episodes 1: After the Party & Episode 2: Six Months Earlier): From the USA. In the first episode, we meet Otis (Alexander Etseyatse) with one of his friends and find out he’s just been released from a mental institution. Walking near where he ex-fiancee now lives, he decides to visit her, against the advice of his friend. In the second episode, he’s in the mental institution, where he rebels against the strictures place against him. I preferred the first episode to the second one, which seemed a bit cliched. 3,2 (d: Alexander Etseyatse)
- Unspeakable: From the USA. A young woman (Laura Vandervoort) who’s escaped from sex traffickers assumes the identity of a woman who was in captivity with her, but died. In the first episode, she’s having second thoughts about becoming this woman, but then is in danger of being picked up by the police, and so blurts out the lie. Can’t wait to see where this one goes. 4 (d: Milena Govich)